But imagine what it was like to see that, first. Ecological thought holds this to be true, a truism, even. It’s as if the water lilies are an intrinsic part of their habitat: go figure. It’s as if they are manifestations of the warp and flow of Monet’s beloved pond at Giverny. The water lilies appear not as objects in empty space. ![]() And Monet’s paintings are the yolk, a gorgeous, mauve-blue-green yolk.įloating in the yolk are little blobs, the water lilies. An oval is also an egg, an obvious container that isn’t just a container, but a living habitat for an embryo. An oval is a circle that’s been squeezed, just like spacetime isn’t totally regular but is squeezed and stretched by gravity. Immersive, strangely anticipatory of VR, you find yourself surrounded by gigantic ovals of color. In these rooms, you can visit Claude Monet’s astounding water lilies paintings. The Orangerie is a pair of oval-shaped rooms in the Jardin des Tuileries in Paris. But this is a place where they grow experiences of gorgeous paintings. “Orangerie” means a place where they grow oranges. Secondly, there’s that amazing innovation in narrative prose-the stream of consciousness. ![]() First, the water lily paintings of Claude Monet. There are two kinds of art I want to share. The science is Albert Einstein’s general theory of relativity. Like a gorgeous mirage, hyperspace wavered into being, in philosophy, science, literature and art. The thing called hyperspace, in movies like Star Wars, the thing that you reach by traveling faster than light-it started to shimmer into existence in the early 1900s. What happened was, human beings began to sense the reality of hyperspace. Something happened in Europe at the start of the 20th century.
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